Shepard Fairey created these original works based on images by Milton H. Greene that I own, with a portion of the proceeds to benefit the newly formed Marilyn Monroe Mental Health for the Arts Program. While the initial drop sold out within minutes, a special limited edition allocation will be made available next month thanks to a partnership with #Goldin Auctions and #eBay Marketplace. #collectibles #marilynmonroe #payitforward #shepardfairey

Alyx Effron | May 17, 2026

Presented By All Touch Case

One of the strangest things about modern collecting is how normalized upcharges have become. Same service. Same process. Same amount of labor. Completely different price depending on what the item is worth.

A grader looks at one card for a few seconds longer because it last sold for significantly more, and suddenly the fee quadruples. A marketplace facilitates the exact same transaction but takes a much larger cut simply because the final sale price is higher. A platform ships the same size box using the same label printer, same tape, same packaging process, yet somehow the “premium” item costs dramatically more to handle.

What makes this even more interesting is how volatile the sports card market can be. One athlete can have a huge game, an injury, or a viral moment, and overnight the declared value of a card can swing dramatically. A card that cost $25 to grade yesterday suddenly costs hundreds today simply because the player scored 50 points in one game on national television. Yet at the end of the day, the physical grading process itself hasn’t fundamentally changed at all. The grader is still evaluating the same core things: centering, corners, edges, and surface on the exact same cardstock material. Whether it’s a base card or a 1/1, the actual object being assessed is still a printed piece of cardboard. The only real difference is the layers of manufactured scarcity built around the card and the corresponding perceived market demand attached to it.

At a certain point, you have to ask yourself what you’re actually paying for. In many cases, the answer isn’t additional work. It’s access to the ecosystem. It’s perceived status. It’s the psychological understanding that collectors have been conditioned to accept higher fees because “that’s just how the hobby works”.

The dangerous thing about all of this is how quickly people stop questioning these systems once they become normalized. These industries slowly train people to accept inflated costs, artificial scarcity, and endless layers of monetization as part of participation itself. Over time, it becomes harder to separate genuine value from manufactured value.

This mindset exists everywhere in the hobby now. Premium memberships. VIP access. Express grading. Breaker bounty programs. Buybacks. Dynamic pricing. “Exclusive” drops. The same core service wrapped in slightly different packaging and sold back to collectors at increasingly higher margins.

At the end of the day, companies are doing what they’re designed to do – drive revenue and maximize profit. But there’s a fundamental difference between building a sustainable business and extracting as much money as humanly possible from emotional attachment, urgency, and obsession.

That’s why intentional collecting matters. Intentional collecting forces you to slow down and ask: Am I paying for real value here? Or am I paying because I’ve been conditioned to believe I have to?

The reality is, many collectors don’t even realize how much these systems shape their behavior until they step back long enough to see it clearly.

This is all part of why we’ve intentionally partnered with hobby companies like C3 Grading and My Card Post, both of which are featured within The Intentional Collector’s Guide.

In a hobby where fees can suddenly multiply based on hype, volatility, or perceived value, C3 takes a far more transparent approach: a flat $9 per card ($8 per card with code CMD) with no upcharges, no surprise fees, and no penalties because a player had a big game or a breaker decided to pump a particular product. The card being graded doesn’t magically become harder to assess because the market decided it’s worth more this week.

In the same way, My Card Post was built to give collectors a simplified marketplace alternative to many of the excessive seller fees, pressure-driven mechanics, and overly monetized systems that have become increasingly normalized across the hobby. Rather than taking larger cuts as transaction prices rise, My Card Post operates on a straightforward subscription-based model that allows collectors to buy, sell, and trade without traditional seller fees constantly eating into every transaction.

The hobby doesn’t become healthier when every interaction – every intricacy – becomes another opportunity to maximize extraction. It becomes healthier when transparency, fairness, and trust matter more than squeezing every last dollar out of the people who love it most.

#CollectorsMD
Not every premium price reflects premium value – sometimes it’s simply the result of how normalized inflated spending has become.

—
Follow Us On Social: @collectorsmd
Join Our Support Group
Join Us On Mantel
Read More Daily Reflections

This Daily Reflection is sponsored by All Touch Case, a premium display and protection solution designed to showcase your cards while keeping them safe. Use code COLLECTORSMD for 15% off your order. Collect. Protect. It’s a peace of mind.

https://collectorsmd.com/more-than-just-an-upcharge/

Yesterday my son & I went to our favorite shop. Got a few nice singles for the PC and he won a raffle and picked up a nice piece for his PC

2012 National Card Show Prices

https://www.baseballamerica.com/stories/psa-increasing-baseball-card-grading-wait-times-again-amid-200-million-expansion/